Alabama – Close Enough to Perfect
A blue-collar love note sung with quiet devotion — “Close Enough to Perfect” honors the kind of woman, and the kind of life, that gets taken for granted until a…
A blue-collar love note sung with quiet devotion — “Close Enough to Perfect” honors the kind of woman, and the kind of life, that gets taken for granted until a…
A stop-time prayer for the brokenhearted — “Stop the World (And Let Me Off)” is the moment grief asks for mercy, and a honky-tonk answers with a slow, knowing nod.…
A quiet, dignified lament for two people who meant well and lost their way—“Lady Down on Love” listens gently to both sides of a broken promise. Begin with the essentials…
A last call turned prayer — neon winks out, the jukebox breathes, and a stubborn heart asks the town for mercy. Put the bedrock first, because the facts anchor the…
A breezy promise of escape—“Rock and Roll Girls” remembers how pop, friendship, and a summer street could feel like a whole, forgiving world. Put the key facts up front: John…
A stubborn, mid-tempo ache—“Nothing’s Changed Here” sounds like denial said softly enough to pass for courage. When Dwight Yoakam sent “Nothing’s Changed Here” to radio in July 1991, it arrived…
A stubborn, mid-tempo ache—“Nothing’s Changed Here” sounds like denial said softly enough to pass for courage. When Dwight Yoakam sent “Nothing’s Changed Here” to radio in July 1991, it arrived…
A Cajun postcard of joy and stubborn faith — “Jambalaya (On the Bayou)” lets John Fogerty step back into America’s folk heart, turning an old Hank Williams tune into a…
A ragged, rueful badge of small rebellions — “King of Fools” is a bruised, honky-tonk proclamation about pride, stubbornness, and the private costs of being the loudest voice in the…
A taut, swamp-slick howl about stubbornness and survival — “The Old Man Down the Road” is John Fogerty’s terse, traveled parable of persistence, delivered like a man who has come…