Dwight Yoakam – Take Hold of My Hand
A hand outstretched in daylight—Dwight Yoakam opens “Take Hold of My Hand” like a porch light after hard weather, inviting love to step inside and stay. Put the anchors where…
A hand outstretched in daylight—Dwight Yoakam opens “Take Hold of My Hand” like a porch light after hard weather, inviting love to step inside and stay. Put the anchors where…
A postcard from California’s long twilight—Dwight Yoakam sings of grit, glamour, and getting by in “The Late Great Golden State.” Before the guitars even bite, the context matters. “The Late…
A barroom parable set to a backbeat—Dwight Yoakam turns temptation and consequence into a wild ride you can feel in your bones. Released as an album cut on This Time…
A porch-light invitation to remember—“Send Me the Pillow (That You Dream On)” finds Dwight Yoakam lowering his voice, letting longing arrive the way summer air moves through a screen door.…
A punk confession reborn under honky-tonk lights — “Train in Vain” becomes a bluegrass-tinged handshake between London grit and Bakersfield grace, where denial softens into a rueful smile. Put the…
A neon prayer in three-and-a-half minutes — “Dim Lights, Thick Smoke (and Loud, Loud Music)” finds Dwight Yoakam back under the barroom bulbs, tipping his hat to honky-tonk wisdom and…
A brisk, blue-lit confession of denial — “I’ll Pretend” teaches the oldest honky-tonk trick: when the truth is too sharp to touch, you sing around it until your hands stop…
A stop-time prayer for the brokenhearted — “Stop the World (And Let Me Off)” is the moment grief asks for mercy, and a honky-tonk answers with a slow, knowing nod.…
A last call turned prayer — neon winks out, the jukebox breathes, and a stubborn heart asks the town for mercy. Put the bedrock first, because the facts anchor the…
A stubborn, mid-tempo ache—“Nothing’s Changed Here” sounds like denial said softly enough to pass for courage. When Dwight Yoakam sent “Nothing’s Changed Here” to radio in July 1991, it arrived…