The Partridge Family

“Lookin’ For A Good Time” catches The Partridge Family in one of their last bright bursts of youthful energy—a song where freedom, motion, and simple happiness still seem close enough to chase.

One of the most important facts to place at the very beginning is that “Lookin’ For A Good Time” was not a major U.S. hit single, but an album track from Bulletin Board, the eighth and final studio album by The Partridge Family, released in 1973. Discogs track listings place the song as track three on that album, and streaming catalog entries confirm the same album source. In other words, this was not part of the group’s earliest explosion of chart fame, but a later recording from the closing chapter of their studio legacy. That detail matters, because songs from Bulletin Board often carry a slightly different feeling from the earlier hits: still tuneful, still polished, but touched by the sense that an era was drawing to a close.

The songwriter credits are worth bringing forward as well. Discogs credits “Lookin’ For A Good Time” to Bobby Hart, Danny Janssen, and Wes Farrell—names closely tied to the expertly manufactured but often genuinely catchy pop sound that shaped the Partridge Family catalog. These were not casual tunesmiths tossing off filler. Wes Farrell in particular was central to the group’s recording identity, and the presence of Bobby Hart connects the song to that broader late-1960s and early-1970s pop craftsmanship where melody, hook, and emotional directness still ruled. Even when a song did not become a huge chart event, it was often built with real professional care.

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There is also an interesting release wrinkle in the song’s history. In the United States, 45cat lists “Lookin’ For A Good Time” as a promo-only 7-inch on Bell 45,414 from November 1973, with mono and stereo promo versions rather than a full commercial single push. Outside the U.S., however, the title did appear more visibly on 7-inch releases, including Japanese and Australian issues paired with “Money Money.” That tells us something subtle but revealing: the song had enough appeal to be singled out in some markets, yet it never became one of the headline chart records that defined the group’s peak years. Its life was more modest, more tucked away—precisely the kind of song that loyal listeners often treasure most.

And that modest place in the catalog suits the song’s charm. “Lookin’ For A Good Time” is exactly what its title promises: an upbeat, forward-moving pop song built around anticipation, motion, and the old pleasure of simply wanting the night—or life itself—to open up a little wider. It does not seem designed for heartbreak or introspection. Its emotional meaning lies instead in pursuit: the desire to get out into the world, shake off whatever dullness surrounds the day, and find laughter, romance, excitement, or at least a little sparkle before the moment slips away. There is something deeply evocative in that. So much of early-1970s pop was built on this kind of innocent momentum, and The Partridge Family were especially good at making it sound clean, inviting, and unburdened.

What makes the song more interesting now is its position within Bulletin Board itself. Because this was the group’s final studio album, “Lookin’ For A Good Time” now carries a faint afterglow the song probably did not intend. Heard today, it sounds like one of those late records where the brightness remains, but time adds a little wistfulness around the edges. The title says good time, but history hears something more tender in it: a last run at the familiar style, a final glimpse of the polished pop world that The Partridge Family had inhabited so effortlessly. That does not make the song sad. It makes it touching. It reminds us that the sunniest pop songs sometimes acquire their deepest meaning only later, when they begin to stand for a vanished moment in musical culture.

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There is also the matter of sound. Retrospective comments around the album have noted that songs like “Lookin’ For A Good Time” and “Roller Coaster” brought out a slightly edgier, raspier side of David Cassidy’s vocal presence than some of the earlier, sweeter records. Even without overstating that, one can hear a bit more drive here, a little more push in the delivery. That gives the song an attractive energy. It is still unmistakably Partridge Family pop—well-drilled, melodic, bright—but there is enough momentum in it to keep it from feeling too soft or too sugary.

So “Lookin’ For A Good Time” deserves to be heard as more than a minor late-period track. It came from Bulletin Board, the group’s final 1973 studio album; it was written by Bobby Hart, Danny Janssen, and Wes Farrell; and while it did not become a major U.S. chart hit, it did receive promo-single treatment in America and commercial single release in some overseas markets.

But beyond those facts lies the reason the song still lingers. It captures a certain old pop promise—the belief that life might suddenly brighten if one just keeps moving toward the music. And that kind of song, even when it lives in the quieter corners of a catalog, has a way of surviving. It keeps its smile. It keeps its motion. And, years later, it still sounds like youth opening the door and stepping out in search of one more good night.

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