Lefty Frizzell – I Want to Be with You Always
A steady, pleading vow that folds ordinary longing into timeless devotion — “I Want to Be with You Always” is a love promise worn like a familiar coat, warm at…
A steady, pleading vow that folds ordinary longing into timeless devotion — “I Want to Be with You Always” is a love promise worn like a familiar coat, warm at…
A bright, trembling invocation of memory and wonder — “Good Vibrations” is both a child’s sunlit thrill and an adult’s aching question about what it means to feel the world…
A mournful, small-courtroom parable about injustice and the way time hardens into a sentence. When Dwight Yoakam first placed “Twenty Years” on his early releases, it arrived not as a…
A quietly weary question about choice and consequence — “What Are You Gonna Do” stands like a final, pragmatic glance before someone closes the door. “What Are You Gonna Do”…
A Rollicking Instrumental That Echoes the Grit and Groove of America’s Backroads Nestled in the heart of Creedence Clearwater Revival’s landmark 1969 album, “Willy and the Poor Boys,” the instrumental…
A terse, weary counsel about disappointment — “Take It Like a Friend” is a polite jab wrapped in resignation, asking that loss be borne with the dignity of a companion…
A rock-and-roll sleigh ride in cowboy boots—“Run Run Rudolph” lets Dwight Yoakam turbocharge a Christmas classic with Bakersfield snap and bar-band joy, the sound of a honky-tonk opening its doors…
A blue-collar road song in miniature—“Tearin’ Up the Country” is Creedence Clearwater Revival catching the smell of grease and highway dust on one breath, and turning it into a grin…
A reverent love song sung like a thank-you—“(God Must Have Spent) A Little More Time on You” finds Alabama opening their arms to a new generation and discovering that tenderness…
A porch light left on for no one—“I Hear You Knockin’” is Dwight Yoakam turning a swamp-blues refusal into a honky-tonk vow to keep the door shut, even when memory…