“Broken Spoke Shuffle” is a glimpse behind the curtain—a rough, rolling little instrumental that feels like CCR’s wheels still turning, even before the road was fully paved. There’s something quietly…
“Take It Like a Friend” is CCR’s bittersweet side-glance at loyalty—a song that asks for patience and understanding, even as the ground beneath the band is beginning to crack. “Take…
“Tearin’ Up the Country” feels like a last burst of daylight—CCR still moving, still loud, even as the band’s story was quietly running out of road. The first important fact…
“Need Someone to Hold” is CCR’s plainspoken confession that strength still gets lonely—a small, human song where the world feels cold, and the only answer is warmth you can trust.…
“Glory Be” is CCR’s little “missing prayer”—an unfinished instrumental that survived in silence for decades. It feels like a doorway left ajar, letting us hear the band’s engine humming before…
“Call It Pretending” is CCR’s earliest truth-serum: a song about false love that also sounds like a band shedding a false name. It’s the quiet hinge between who they were…
“Sail Away” is CCR’s quiet daydream of escape—a small boat of a song drifting toward open water while the band’s own shoreline was starting to crumble. There’s a particular kind…
“Door to Door” is CCR’s small, sly portrait of working life—a two-minute shuffle where ambition knocks politely, and desire answers in half-smiles. If Creedence Clearwater Revival were usually the band…
“Rude Awakening #2” is CCR’s strange little doorway into the unfamiliar—a final-track fog where the band’s certainty dissolves, and you’re left listening to unease itself. The first thing to know—because…
“Ninety-Nine and a Half (Won’t Do)” is a lover’s ultimatum dressed as a soul shout—a demand for the whole heart, because anything less feels like a slow kind of leaving.…
Classic Oldies