Creedence Clearwater Revival – The Working Man
“The Working Man” feels like a lunch pail set down beside the amp—plain, heavy, and honest, with pride that doesn’t need to raise its voice. If you came to Creedence…
“The Working Man” feels like a lunch pail set down beside the amp—plain, heavy, and honest, with pride that doesn’t need to raise its voice. If you came to Creedence…
“Sinister Purpose” is the sound of desire turning into a shadow—an invitation that feels warm at first, then quietly locks the door behind you. If you ever want to understand…
“Bootleg” is the sound of a backroad temptation—where the thrill isn’t in what you have, but in what you’re not supposed to have “Bootleg” doesn’t arrive like a headline. It…
“Pagan Baby” is a restless late-night prayer—half blues incantation, half warning—where the groove keeps walking even when certainty has disappeared If you only know Creedence Clearwater Revival for their radio…
“Hello Mary Lou” is not just a greeting to first love, but a gentle knock on the door of memory, where youth still waits, smiling When Creedence Clearwater Revival recorded…
“Don’t Look Now (It Ain’t You or Me)” is CCR’s sharpest little sermon—two minutes of rockabilly swing that turns the mirror back on all of us, then walks away before…
A quiet cry of connection from the heart, “Wrote a Song for Everyone” speaks to how music can reach multitudes—even when words fail between two souls. “Wrote a Song for…
“Ooby Dooby” is CCR’s wink to rock ’n’ roll’s first heartbeat—when a song didn’t need sense to feel true, only rhythm strong enough to lift you off the floor. Before…
“My Baby Left Me” is CCR’s leanest kind of heartbreak—an old blues wound retold with rock ’n’ roll nerve, like a bruise you press just to prove it’s still there.…
A lean, bluesy shiver—bad omens on the dashboard and a name you can’t outrun, set to a bar-band shuffle that keeps rolling even when the road goes dark. Essentials up…