David Cassidy – We Could Never Be Friends
“We Could Never Be Friends (’Cause We’ve Been Lovers Too Long)” is the kind of goodbye that doesn’t slam a door—it simply admits that some doors can’t be reopened without…
“We Could Never Be Friends (’Cause We’ve Been Lovers Too Long)” is the kind of goodbye that doesn’t slam a door—it simply admits that some doors can’t be reopened without…
“Don’t Forget Me” is a late-night postcard from the edge of tenderness—Neil Diamond singing a plea that’s half joke, half bruise, asking to be remembered when the seasons (and the…
“Red Rubber Ball” is a small pop miracle about getting free: the moment you stop chasing a love that’s already let go, and you finally feel your own life bounce…
“Violence Is Golden” is Fogerty’s grim lullaby for the television age—an urgent warning that when a culture treats brutality like currency, everyone ends up paying. Put the essentials first: “Violence…
“Today I Started Loving You Again” is the country paradox in one gentle phrase: love that ended yesterday can return this morning, as if the heart never signed the divorce…
“Delta Lady” in David Cassidy’s live repertoire is a surprising kind of confession—part swagger, part surrender—where a teen-idol voice steps into grown-up Southern soul and comes out sounding bruised, bold,…
“Massacre At Park Bench” is not a “song” in the usual sense—it’s David Cassidy turning the spotlight back on the crowd, exposing how fame can chew up a human being…
Neil Diamond’s “La Bamba” is a joyful detour—an early-career burst of borrowed sunlight where a young songwriter tries on an old folk melody and discovers, for a moment, that freedom…
“I Ain’t Never” in John Fogerty’s world is a grin with a bruise beneath it—country mischief on the surface, and a man quietly rebuilding his musical identity underneath. Let’s put…
“Crazy Love” is the sound of David Cassidy stepping away from the teen-idol glare and into something warmer, older, and more human—where love isn’t a poster on a wall, but…